Bootstrap Framework 3.3.6

[avalon]

Mrs. Wilson: Didn't you hear me? I'm the perfect servant; I have no life.



------------------
Henry Denton: He's a vegetarian. He doesn't eat meat.
Mrs. Croft: Doesn't eat meat? He comes to a shooting party and doesn't eat meat?
Mrs. Wilson: Now, now Mrs. Croft, we don't want to be thought unsophisticated. Mr. Weissman's an American. They do things differently there.

[avalon]

Warden Samuel Norton: I believe in two things: discipline and the Bible. Here you'll receive both. Put your trust in the Lord; your ass belongs to me. Welcome to Shawshank.


------------------------------------------------------------------------------
Red: [narrating] In 1966, Andy Dufrense escaped from Shawshank prison, all they found of him was a muddy set of prison clothes, a bar of soap, and an old rock hammer, damn near worn down to the nub. I used to think it would take six-hundred years to tunnel under the wall with it, old Andy did it in less than twenty. Oh Andy loved Geology, I guess it appealed to his maticulous nature, an ice age here, million years of mountain building there, geology is the study of pressure and time. That's all it takes really, pressure, and time. That and a big god-damned poster. Like I said, in prison a man will do anything to keep his mind occupied. It turns out Andy's favourite hobby was totin his wall through the exercise yard, a handfull at a time. I guess after Tommy was killed, he decided he had been here just about long enough. Andy did like he was told, buffed those shoes to a high mirror shine. The guard simply didn't notice, neither did I... I mean, seriously, how often do you really look at a mans shoes? Andy crawled to freedom through five-hundred yards of shit smelling foulness I can't even imagine, or maybe I just don't want too. Five-Hundred yards... that's the length of five football fields, just shy of half a mile.

[avalon]

Laura Jesson: This can't last. This misery can't last. I must remember that and try to control myself. Nothing lasts really. Neither happiness nor despair. Not even life lasts very long. There'll come a time in the future when I shan't mind about this anymore, when I can look back and say quite peacefully and cheerfully how silly I was. No, no, I don't want that time to come ever. I want to remember every minute, always, always to the end of my days.

[avalon]

Morgaine: As Lancelot made his decision, deep within me there stood something I had felt for no man before. Within days, on the orders of Viviane, I was on my way to take part in the fertility rites known as the Beltane feast. The ceremony she called, "The Great Marriage." To whom I would be given, I did not know. But Viviane assured me that the future of Avalon depended on my playing the role of the Virgin Huntress. And that my partner would be the man that killed the King Stag. As I returned to the holy isle, a great longing gripped my heart. I hoped that the man at the Beltane rites had been Lancelot, but I had never seen his face. There had been no hint as to who he really was.

[Morgan Le Faye]

"Scar tissue has no character. It's not like skin. It doesn't show age or illness or pallor or tan. It has no pores, no hair, no wrinkles. It's like a slip cover. It shields and disguises what's beneath. That's why we grow it; we have something to hide." -"Girl, Interrupted" Susanna Kaysen

[avalon]

The Angel: Greetings, Prophet! The great work begins! The Messenger has arrived!

----------
Roy Cohn: I have sex with men. But unlike nearly every other man of whom this is true, I bring the guy I'm screwing to the White House and President Reagan smiles at us and shakes his hand.

-----------


Ethel Rosenberg: [to a dying Roy Cohn] I came here to forgive, but all I can do is take pleasure in your misery. Knowing that I would get to see you die, more horribly than I did. And you are. Cause you're dying in shit, Roy. Defeated.
[Leans in]
Ethel Rosenberg: And you could kill me... but you couldn't ever defeat me... you never won. And when you die, all anyone will say is, "Better that he had never lived at all."



---------------



Prior Walter: But still. Still bless me anyway. I want more life. I can't help myself. I do.I'velived through such terrible times and there are people who live through much worse. But you see them living anyway. When they're more spirit than body more sores than skin when they're burned and in agony when flies lay eggs in the corners of the eyes of their children they live. Death usualy has to take life away. I don't know if that's just the animal. I don't know if it's not braver to die, but i recognize the habbit. The addiction to being alive. So we live past hope. If i can find hope anywhere, that's it, that's the best i can do. It's so much not enough. It's so inadequate. But still bless me anyway. I want more life. And if he comes back, take him to court. He walked out on us, he aughta pay.

[Morgan Le Faye]

"Sometimes there's so much beauty in the world I feel like I can't take it, like my heart's going to cave in."

-American Beauty

"Courage isn't the absence of fear - it is the presence of fear, yet the will to go on."

-Black Knight

"Burn 'em to ashes, then burn the ashes."

-"Fahrenheit 451," Ray Bradbury

"Frodo: I can't do this Sam!

Sam: I know. It's all wrong. By rights we shouldn't even be here. But we are It's like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger they were And sometimes you didn't want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it's only a passing thing, this shadow Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer. Those were the stories that stayed with you. That meant something, even if you were too small to understand why. But I think, Mr. Frodo, I do understand. I know now. Folk in those stories had lots of chances of turning back only they didn't. Because they were holding on to something.

Frodo: What are we holding on to Sam?

Sam: That there's some good in this world, Mr. Frodo and it's worth fighting for."

-Lord of the Rings: The Two Towers

"Stop trying to fit in, when you were born to stand out."

-What A GIrl Wants

[Morgan Le Faye]

"Dearest, I feel certain I am going mad again. I feel we can't go through another of those terrible times. And I shan't recover this time. I begin to hear voices, and I can't concentrate. So I am doing what seems the best thing to do. You have given me the greatest possible happiness. You have been in every way all that anyone could be. I don't think two people could have been happier till this terrible disease came. I can't fight any longer. I know that I am spoiling your life, that without me you could work. And you will I know. You see I can't even write this properly. I can't read. What I want to say is I owe all the happiness of my life to you. You have been entirely patient with me and incredibly good. I want to say that - everybody knows it. If anybody could have saved me it would have been you. Everything has gone from me but the certainty of your goodness. I can't go on spoiling your life any longer.

I don't think two people could have been happier than we have been.

V."



-Virginia Woolf "Hours"

[avalon]

Lytton Strachey: I tend to be impulsive in these matters like the time I asked Virginia Woolf to marry me.
Dora Carrington: She turned you down?
Lytton Strachey: No, she accepted. It was ghastly.



---------------------------



Lytton Strachey: I don't know what the world has come into: women in love with buggers and buggers in love with womanizers...

[avalon]

George III: Six hours of sleep is enough for a man, seven for a woman, and eight for a fool.

[avalon]

Margaret: Unlike the Greek, England has no true mythology. All we have are witches and fairies.


----------------------------



Margaret: Will you forgive her as you yourself have been forgiven...you have had a mistress; I forgave you. My sister has a lover, you drive her from the house. Why can you not be honest for once in your life? Why can't you say what Helen has done, I have done!




-----------------------------


Henry Wilcox: The poor are the poor, and one's sorry for them--but there it is.

[avalon]

Merlin: You killed her.
Queen Mab: No, I didn't. I only let her die.



-------------



Morgan: I like the old ways. They'vemade me beautiful.
Merlin: But that's just an illusion.
Morgan: Beauty is always an illusion.



--------------



Morgan Le Fey: Am I beautiful, my love?
Frik: Beyond words. Am I?
Morgan Le Fey: Oh yes. Beyond words.

[Çâðê_DUP]

" I knew I was an unwanted baby
when I saw my bath toys were a
toaster and a radio"

Joan Rivers


"Dear sweet Mary,
I forgive.
But I don't forget.
And I don't forgive"

Dick Solomon, 3rd rock
from the sun

[tessio]

When the child was a child
there was the time for questions like-
Why am I me
and why not you?
Why am I here
and why not there?
When did time begin
and when did space end?
Isn't life under the sun just a dream?
Isn't what I see, hear and smell
just a vision of a world before the world?
Does evil really exist?
Are there people who are really evil?
How can it be that I who is me wasn't there
before I was
and that one day I who is me
shall no longer be what I am now
***
When the child was a child
he choked on spinach, rice pudding,
peas and boiled cauliflower,
and now he eats it all
and not just because he must.
When the child was a child
he once woke up in a strange bed;
now this happens again and again.
Many people seemed beautiful then,
now very few do at all.
He had a precise picture of paradise
and now he can only make a guess.
He couldn't imagine nothingness;
today he trembles at the i
***
When the child was a child
he lived on apples and bread,
it was enough then and still is.
When the child was a child
berries fell into his hands and they still do.
He felt shy in front of strangers
and still feels the same.
He waits for the first snow
and is still waiting.
When the child was a child
he threw himself with spirit into his games,
and now he masters such involvement only
where work is concerned

from "Der Himmel uber Berlin"...
Screenplay by Wim Wenders & Peter Handke

[mrle]

Blanche : I can smell the sea air. The rest of my time I'm going to spend on the sea. And when I die, I'm going to die on the sea. You know what I shall die of? I shall die of eating an unwashed grape one day out on the ocean. I will die - with my hand in the hand of some nice-looking ship's doctor, a very young one with a small blond moustache and a big silver watch. "Poor lady", they'll say, "the quinine did her no good. That unwashed grape has transported her soul to heaven". And I'll be buried at sea sewn up in a clean white sack and dropped overboard - at noon - in the blaze of summer - and into an ocean as blue as my first lover's eyes.

A Streetcar Named Desire, Tennessee Williams

[Kupper]

'Ne idi ispred mene,
mogu da te ne sledim.
Ne idi iza mene,
mogu da te ne vodim.
Prosto, idi pored mene
i budi moj prijatelj.

Abert Camus

[Çâðê_DUP]

Originally posted by tessio
When the child was a child
there was the time for questions like-
Why am I me
and why not you?

from "Der Himmel uber Berlin"...
Screenplay by Wim Wenders & Peter Handke

Ovo mi je pisalo na jednoj svesci iz srednje skole...

[2Q2Bstr8]

Sex and the city: Bravo honey, bravo!
ili
Mi nismo anðeli: Zauvek ?u te voleti! ... Ali NESRE?NO!

da, da, ja se palim na ovako suptilne momente. brojne i re?ite filozofije kao gore navedene su mi prosto prenaporne za pamtiti. i više volim da ih sam otkrijem...

[AngraMaina]

Kako je propao Rock'n'Roll

Deda s dvocevkom: "Ko je, mamicu mu je*em? S'd cu da ga ukokam"


------------


Monty Python's Flying Circus

The It's Man (after running two miles towards the camera): "It's..."

[AngraMaina]

Uh, kako sam ovo ispustio:


Monty Python's Flying Circus:

Announcer: "Number one. The larch."

[avalon]

David: Come over here Maria. Look at yourself in the mirror. You are beautiful... but you have changed. These days you cast rapid, calculating, sidelong glances. You're gaze used to be direct, open, and without any disguise. Your mouth is an expression of discontent and hunger. It used only to be soft. Your complexion has become pallid, you use make-up. Your fine, broad forehead now has four creases above each eyebrow... And this fine contour from the ear to the chin... it's no longer quite so evident. That's where complacency and indolence reside... Look here, at the bridge of the nose, why do you sneer so often, Maria? ...Beneath your eyes, those sharp, barely visible wrinkles of boredom and impatience.

[Kulturni Jelen]

Le Mépris (1963)


Fritz Lang: Now it's no longer the presence of God, but the absence of God, that reassures man. It's very strange, but true.



Jerry Prokosch: Whenever I hear the word culture, I bring out my checkbook. (To his assistant) Come here. (He places his checkbook on his assistant's back and writes out a check.)
Fritz Lang: Some years ago - some horrible years ago - the Nazis used to take out a pistol instead of a checkbook.

(ali ovaj zadnji quote je više omiljena scena, zna?i ne samo dijalog)
Camille Javal: You like all of me? My mouth? My eyes? My nose? And my ears?
Paul Javal: Yes, all of you.
Camille Javal: Then you love me... totally?
Paul Javal: Yes. Totally... tenderly... tragically.

EYES WIDE SHUT

Dr. Bill Harford: Are you sure of that?
Alice Harford: Am I sure? Only as sure as I am that the reality of one night, let alone that of a whole lifetime, can ever be the whole truth.
Dr. Bill Harford: And no dream is ever just a dream


Alice Harford: I do love you and you know there is something very important we need to do as soon as possible.
Dr. Bill Harford: What's that?

Alice Harford: Fuck.



DAMAGE( FATALE) 1992

Anna Barton: Damaged people are dangerous. They know they can survive.

[Kulturni Jelen]

Man is tormented by no greater anxiety than to find someone quickly to whom he can hand over that great gift of freedom with which the ill-fated creature is born.
Fyodor Dostoevsky, "The Brothers Karamazov



Les Voleurs (1996)

Marie: Before Christ was a time of orgies. Then came love.
Alex: Love's less fun.
Marie: Probably. In orgies you give your all. No more, no less. In love, it's never enough. It's always too much or not enough.


The Hunger (1983)

Sarah Roberts: What's that piece you're playing?
Miriam Blaylock: It's "Lakme" by Delibes. Lakme is a Brahmin princess in India, she has a slave named Malika.
Sarah Roberts: Malika...
Miriam Blaylock: In a magical garden they sing how they follow the stream to its source, gliding over the water.
Sarah Roberts: Is it a love song?
Miriam Blaylock: I told you, it was sung by two women.
Sarah Roberts: It sounds like a love song.
Miriam Blaylock: Then I suppose that's what it is.
Sarah Roberts: Are you making a pass at me, Mrs. Blaylock?
Miriam Blaylock: Miriam.
Sarah Roberts: Miriam.
Miriam Blaylock: Not that I'm aware of, Sarah.
[Sarah smiles, shakes her head, and then spills wine on her top]

[hush]

verovatno ste bili odusevljeni nekom replikom iz nekog filma ili pak serije....

nesvesno je cak i mozda upotrebljavate u razgovoru...ili cak iz sale sve krene, a zalepi vam se i ostane poduzi period....


da li vam se to desava?

koja vam je omiljena? m?

[Ulix]

"It was like sex in an Ayn Rand novel" Louis to Joe in Angels in America

"A census taker once tried to test me. I ate his liver with some fava beans and a nice chianti." H. Lecter in Silence of the Lambs.

"You're a good person, you're my favorite person, it's just that sometimes you can be a real cunt." Bill to the Bride in Kill Bill Vol. 2

"Put your finger up my asshole." Brando u Poslednjem tangu u Parizu.

Ima ih toliko...

[spliff]

(umr'o pantelija)...
ajde?

[Oziris]

Hmmm...
Basic instinct, momenat kada Michael Douglas i George Dzundza ispituju Sharon Stone u vezi ubistva:
George Dzundza: "What are you, a pro?"
Sharon Stone ( podsmesljivo): "No, I'm an amateur."

I jos jedan momenat iz filma:

S.S: " Soon I'll know you better than you know yourself"
M.D: "That's impossible, I'm pretty unp..."
S.S. "Unpredictable?"

[jukie]

Imam iz crtanih filmova, ne znam da li se ra?una... a i mora da se prepri?a fabula da bi znali o ?emu se radi...

1.Jel' te mnogo boli, sinko?
2.Pa Ðorðe je u stvari lisac.
3.Meni to odgovaara.

1. Maðioni?ar stavlja Duška Dugouška u kutiju i izbode je noževima. Duško jau?e iz sveg glasa. Kamera se pomera i vidi se da Duško ustvari stoji pored kutije i sav se uživeo u ulogu pa se previja i jau?e. Madjioni?ar skoro odmah primeti pa stoji iznad njega i jedno 20-30 sekundi gleda kako ovaj i dalje kukulele?e. Duško slu?ajno pogleda gore i vidi madjioni?ara, a ovaj mu odvrati "Jel'te mnogo boli, sinko?"

2. Glupi pas pokušava da ulovi lisicu, a lisac se nekoliko puta upoznaje sa njim "Ja sam Zlatko" "a ja sam Ðorðe" i nagovara ga da tr?i odreðenom stazom gde na kraju padne u provaliju. Zlatko leži u provaliji i kaže "znate šta, pa Ðorðe je ustvari lisac"... (replika na koju je kontrareplika Homer Simpsonovo "doh" )

3. Pas je petlu Sofroniju podmetnuo nojevo jaje pa ovaj misli da je mali noj njegov sin. Pas maltretira obojicu i vreða ih. Sofronije ga izaziva na viteški boks-me? da odbrani ?ast porodice ( "Sine, pokaza?u ti da je tvoja mama bolji muškarac" ). Posle par niskih udaraca, petao kaže "Znaš šta ku?e, ako tako ho?eš, zaboravi?emo na pravila". Pas kaže "meni to odgovaara... "

[avalon]

Memorable Quotes

[avalon]

Pa spojio sam